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It must have been hours past midnight when Billy’s chattering voice startled his mother. She had heard no bell; the boy himself stood by her bedside; she could see him dimly against the window.,

In the front seat of the Wallace school sat Mannel Rodd. Nell Gordon declared that he was the roundest object she had ever seen in human form. Though he had arrived at the mature age of five, he still retained that cherubic appearance which one sees in the paintings of old masters. His eyes were as round as the rather sparsely-located buttons on his shirt. His nose was a small round knob. When he opened his little round mouth to lubricate a squeaky slate pencil or perhaps to enunciate some such interesting statement as this, “The cat is on the mat,” he disclosed a row of pearly little teeth. Indeed his whole face would have been as round as the moon, were it not that his chin took an unexpected little saucer-like curve in the very middle of it.,

“Yes, I can come. Shall I bring Clarence, too?”,

Mr. Wopp in the meantime had seated himself on the other side of Betty and was busy taking notes on the dance then in progress. “It was so interestin” he said, “and the poetry might come in handy.” The dance was called “Captain Jinks.”

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He went on, a little cautiously now, and shortly came in view of the “Ha’nt,” a sinister though imposing house, built of cut stone, close against the face of the most picturesque mountain of the range, bounding Vina Valley. The windows were curtained with cobwebs and dust. For years the wide front door had been nailed up with the same sun-bleached boards; and “Keep out!” spoke from every gray splinter.,

Having disposed of the song, dear to her mother’s heart, in spite of the protestations of Moses, Betty went to the kitchen and in a few moments returned with a steaming pot of tea.,

Every back bent a little lower. Every face flushed a little rosier under its coat of grime. Praise from Billy was all they asked.,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.